"Hüll Dich In Tand, (Der Bajazzo, Oper in 2 Akten) (Auszug)" by Leo Slezak was released on May 5, 2010. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 15 out of 22. Hüll Dich In Tand, (Der Bajazzo, Oper in 2 Akten) (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hüll Dich In Tand, (Der Bajazzo, Oper in 2 Akten) (Auszug) by Leo Slezak to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Zwei Märchenaugen (From "Die Zirkusprinzessin") | Emmerich Kálmán, Jonas Kaufmann, Ádám Fischer | C Major | 3 | 8B | 81 BPM | ||
La forza del destino, Act III, Scene II: Solenne in quest'ora | Giuseppe Verdi, Andrea Bocelli, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 2 | 8B | 87 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Kaiserwalzer, Op. 437 - Remastered 2024 | Johann Strauss II, The New Symphony Orchestra Of London, Josef Krips | B♭ Major | 1 | 6B | 77 BPM | ||
Othellos Tod, Otello (Othello, Oper in 4 Akten) (Auszug) | Leo Slezak | G Major | 3 | 9B | 80 BPM | ||
Vèpres solennelles d'un confesseur en Do majeur K. 339, Laudate dominum | Wolfgang Amadeus Mozart, Maria Stader, Gustav König, RIAS-Symphonie-Orchester | F Major | 2 | 7B | 123 BPM | ||
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Die Konigin von Saba (The Queen of Sheba), Op. 27, Act IV: Wohin lenk' ich die muden Schritte | Karl Goldmark, Leo Slezak | E Major | 1 | 12B | 172 BPM |
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