"Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557)" by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sergi Casademunt, Eunice Brandao, Lorenz Duftschmid, Rolf Lislevand was released on 2012. The duration of Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gesproken tekst XXX (19): "Hoe de Zotheid een gids van de wijsheid is" / Muziek: Pavana con su Glosa (1557) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Jordi Savall, Sergi Casademunt, Eunice Brandao, Lorenz Duftschmid, Rolf Lislevand is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
La Battaglia | Clément Janequin, Paul O'Dette | G Major | 2 | 9B | 109 BPM | ||
Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM |
Section: 0.5959475040435791
End: 0.5997002124786377