Johann Hermann Schein, Cantus Cölln's 'Wenn Filli ihre Liebesstrahl' came out on August 27, 1989. The duration of Wenn Filli ihre Liebesstrahl is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Wenn Filli ihre Liebesstrahl's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Hermann Schein, Cantus Cölln's "J.H.Schein: Diletti Pastorali" album is number 12 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Wenn Filli ihre Liebesstrahl's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wenn Filli ihre Liebesstrahl by Johann Hermann Schein, Cantus Cölln to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
159 Till härlighetens land igen | Psalmprojektet | C Major | 0 | 8B | 77 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): I. Afflicti pro peccatis nostris | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM | ||
Sacrae symphoniae: Canzon III a 4 | Giovanni Gabrieli, Berlin Brass, Andreas Sieling | C Major | 1 | 8B | 95 BPM | ||
Messa della Madonna: Recercar con obligo di Cantare la Quinta parte senza Tocarla | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Scotch and English Songs: Rosline Castle | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Minor | 1 | 12A | 90 BPM | ||
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Battle Suite: III. Gailliard Battaglia | Samuel Scheidt, American Brass Quintet | G Major | 3 | 9B | 93 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 81 BPM |
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