La Bohème: Donde lieta uscì - Mirella Freni, Argeo Quadri, Vienna Volksoper Orchestra Information

Acousticness: 99%
Danceability: 28%
Energy: 5%
Instrumentalness: 0%
Liveness: 7%
Loudness: 71%
Speechiness: 4%
Valence: 4%
Popularity: 7%
Loudness: -17.676 dB

Summary

"La Bohème: Donde lieta uscì" by Mirella Freni, Argeo Quadri, Vienna Volksoper Orchestra was released on April 11, 2012. The duration of La Bohème: Donde lieta uscì is about 3 minutes long, at 3:22. Based on our data, "La Bohème: Donde lieta uscì" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mirella Freni's "Mirella Freni - The first Recitals" album is number 10 out of 13. La Bohème: Donde lieta uscì is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Bohème: Donde lieta uscì BPM

We consider the tempo marking of La Bohème: Donde lieta uscì by Mirella Freni, Argeo Quadri, Vienna Volksoper Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

La Bohème: Donde lieta uscì Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa"	Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	1	6B	105 BPM
Rachel, quand du Seigneur (La Juive)	Richard Tucker, The Columbia Opera Orchestra	F Minor	2	4A	92 BPM
Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo"	Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni	F Major	3	7B	109 BPM
Andrea Chénier / Act 4: "Come un bel dì di maggio"	Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly	F♯ Major	2	2B	85 BPM
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben"	Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber	C Major	2	8B	131 BPM
Cessato il suon dell'Armi (1887)	Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly	A Major	5	11B	113 BPM
Verdi: Otello: Ave Maria - Desdemona - Act Four	Giuseppe Verdi, Mirella Freni	A♭ Major	2	4B	83 BPM
La Wally / Act 1: "Ebben? Ne andrò lontana"	Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg	E Major	2	12B	90 BPM
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder"	Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen	E Minor	2	9A	169 BPM
Turandot: Act III Scene 1: Principessa divina!	Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari	D Major	2	10B	125 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6956017017364502

End: 0.7004730701446533