"Verdi: Otello: Ave Maria - Desdemona - Act Four" by Giuseppe Verdi, Mirella Freni was released on November 4, 2003. With this song being about 5 minutes long, at 5:07, "Verdi: Otello: Ave Maria - Desdemona - Act Four" by Giuseppe Verdi, Mirella Freni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Otello". In this album, this song's track order is #11. Verdi: Otello: Ave Maria - Desdemona - Act Four is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verdi: Otello: Ave Maria - Desdemona - Act Four by Giuseppe Verdi, Mirella Freni having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco / Act 2: Deh, fratelli, perdonate | Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Recordare | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Major | 1 | 7B | 76 BPM | ||
Rigoletto / Act 3: Chi è mai, chi è qui in sua vece? (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 1 | 12A | 178 BPM | ||
Der Freischütz, J. 277 / Act 2: "Wie nahte mir der Schlummer" - "Leise, leise, fromme Weise!" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Minor | 1 | 9A | 96 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Der Freischütz, J. 277 / Act II: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 95 BPM | ||
Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 141 BPM |
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