"Requiem in C Minor, MH 559: Offertorium: Domine Jesu" by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt had its release date on January 1, 2006. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Werner Ehrhardt's "Haydn, M.: Requiem in C Minor / Missa Sancti Joannis Nepomuceni / Te Deum in D Major" album is number 9 out of 23. On top of that, Germany appears to be the country where this track was created. Requiem in C Minor, MH 559: Offertorium: Domine Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in C Minor, MH 559: Offertorium: Domine Jesu by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM | ||
Concert a quatre parties de violes | Marc-Antoine Charpentier, Les Escapades | D♭ Minor | 0 | 12A | 104 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM |