"Zazà, piccola zingara (Zazà)" by Ruggero Leoncavallo, John Charles Thomas was released on 1999. The duration of Zazà, piccola zingara (Zazà) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Zazà, piccola zingara (Zazà)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Four American Baritones of the Past by Leonard Warren. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. The popularity of Zazà, piccola zingara (Zazà) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zazà, piccola zingara (Zazà) by Ruggero Leoncavallo, John Charles Thomas is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Don Giovanni, K. 527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Josef Krips, Wiener Philharmoniker, Vienna State Opera Chorus, Cesare Siepi, Fernando Corena, Kurt Böhme, Suzanne Danco, Kurt Boehme, Anton Dermota, Lisa della Casa, Hilde Gueden, Walter Berry | B♭ Major | 3 | 6B | 80 BPM | ||
Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: Non mi tentar! (Nedda/Silvio/Tonio) | Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti | D♭ Major | 2 | 3B | 65 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 6 | 7A | 77 BPM |
Section: 0.6470718383789062
End: 0.650864839553833