Leonard Bernstein's 'West Side Story: IV. The Dance at the Gym - Mambo' came out on January 1, 1985. The duration of West Side Story: IV. The Dance at the Gym - Mambo is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. West Side Story: IV. The Dance at the Gym - Mambo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 33 in Bernstein: West Side Story by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, West Side Story: IV. The Dance at the Gym - Mambo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of West Side Story: IV. The Dance at the Gym - Mambo by Leonard Bernstein is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Dance Episodes from Rodeo: I. Buckaroo Holiday | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 129 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
An American in Paris | George Gershwin, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 137 BPM | ||
Orb and Sceptre | William Walton, English Northern Philharmonia, Paul Daniel | E Major | 3 | 12B | 106 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM |
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