"Landi : Il Sant'Alessio : Act 1 "Era la notte" [Eufemiano, Adrasto]" by Stefano Landi, William Christie, Les Arts Florissants was released on 1996. With Landi : Il Sant'Alessio : Act 1 "Era la notte" [Eufemiano, Adrasto] being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Stefano Landi, William Christie's "Landi : Il Sant'Alessio" album is number 6 out of 48. Landi : Il Sant'Alessio : Act 1 "Era la notte" [Eufemiano, Adrasto] is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Landi : Il Sant'Alessio : Act 1 "Era la notte" [Eufemiano, Adrasto] by Stefano Landi, William Christie, Les Arts Florissants to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri | B♭ Major | 0 | 6B | 76 BPM | ||
Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Jean Rondeau | B Major | 0 | 1B | 83 BPM | ||
Adagio in D Minor, BWV 974 (after Alessandro Marcello's Concerto for Oboe and Strings) | Johann Sebastian Bach, Ksenija Sidorova | D Minor | 0 | 7A | 132 BPM | ||
Hush, No More (Arr. Voice & Electric Guitar) | Henry Purcell, Nora Fischer, Marnix Dorrestein | B Minor | 0 | 10A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM | ||
Pièces pour théorbe, Suite in G Major: II. Chaconne | Robert de Visée, Xavier Diaz-Latorre | G Major | 1 | 9B | 123 BPM | ||
Les Couplets | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 123 BPM |
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