"Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March" by Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble was released on January 1, 1977. With Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Purcell: Funeral Music for Queen Mary & Anthems". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March by Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | C Major | 1 | 8B | 103 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 6 | 3B | 107 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Tombeau pour Mr. de Sainte Colombe - 2ème livre de Pièces de viole (Marin Marais) | Marin Marais, Jerome Hantai, Pierre Hantaï, Rolf Lislevand, Jordi Savall | E♭ Minor | 0 | 2A | 74 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Dido and Aeneas / Act 3: "Your councel all is urg'd in vain" | Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Gavotte (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 3 | 6B | 75 BPM |
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