- BPM
- 70
- Key
- E♭ Minor
- Camelot
- 2A
Estampes, L. 100: 1. Pagodes - Pt. 2 - Claude Debussy, Philippe Cassard Information
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 2%
- Instrumentalness
- 96%
- Liveness
- 9%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 1%
- Loudness
- -28.64 dB
Summary
"Estampes, L. 100: 1. Pagodes - Pt. 2" by Claude Debussy, Philippe Cassard was released on June 7, 2022. With Estampes, L. 100: 1. Pagodes - Pt. 2 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 73 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Estampes, L. 100: 1. Pagodes - Pt. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Estampes, L. 100: 1. Pagodes - Pt. 2 BPM
The tempo marking of Estampes, L. 100: 1. Pagodes - Pt. 2 by Claude Debussy, Philippe Cassard is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Estampes, L. 100: 1. Pagodes - Pt. 2 Key
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | |
 | Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | 3 Pieces, Op. 2: Prelude in B Major, Op. 2, No. 2 | Alexander Scriabin, Evgeny Zarafiants | A Major | 1 | 11B | 87 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM | |
 | Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM |
- ISRC
- FRUM72200907
- Label
- L-M Records/RCA Records
Section: 0.597386360168457
End: 0.6009299755096436