"Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder" by Karl Goldmark, Leo Slezak, Elsa Bland was released on January 4, 2011. The duration of Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder is about 3 minutes long, at 3:09. Based on our data, "Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 15 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Konigin von Saba (The Queen of Sheba), Op. 27, Act II: Kommst du endlich wieder by Karl Goldmark, Leo Slezak, Elsa Bland to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 4 | 8B | 151 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Montgomery Variations: Montgomery Variations: I. Decision | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 1 | 7A | 82 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Symphony No. 3 in C Minor, Op. 14: IIIc. Var. 2, Andante con moto | Witold Maliszewski, Opole Philharmonic Orchestra, Przemyslaw Neumann | A♭ Major | 0 | 4B | 79 BPM | ||
Merlin: Act II Scene 6: Du? Du? Was willst du, was suchst du hier? (Merlin, Viviane) | Karl Goldmark, Robert Kunzli, Anna Gabler, Brian Davis, Frank van Hove, Gabriela Popescu, Daniel Behle, Sebastian Holecek, In-Sung Sim, Michael Mantaj, Werner Rollenmüller, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D♭ Major | 0 | 3B | 59 BPM | ||
Merlin: Act I Scene 6: Sei uns gegrusst, du holder Gast! (Arthur, Lancelot, Glendower, Gawain, Modred, Viviane, Merlin, Chorus) | Karl Goldmark, Robert Kunzli, Anna Gabler, Brian Davis, Frank van Hove, Gabriela Popescu, Daniel Behle, Sebastian Holecek, In-Sung Sim, Michael Mantaj, Werner Rollenmüller, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D♭ Minor | 2 | 12A | 88 BPM | ||
Fantasie in C Major, D. 934: I. Andante molto | Franz Schubert, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM |
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