Johann Sebastian Bach, Philip Setzer, David Finckel made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Canon alla Duodecima in Contrapunto alla Quinta" available on January 1, 2003. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. Based on our statistics, The Art Of Fugue, BWV 1080 - Version For String Quartet: Canon alla Duodecima in Contrapunto alla Quinta's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Canon alla Duodecima in Contrapunto alla Quinta by Johann Sebastian Bach, Philip Setzer, David Finckel is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Var. 22, Alla breve | Johann Sebastian Bach, Glenn Gould | G Major | 3 | 9B | 186 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile | Wolfgang Amadeus Mozart, Jenő Jandó | F Major | 0 | 7B | 118 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.14 in F sharp minor BWV883 | Daniel Barenboim | D♭ Major | 2 | 3B | 122 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto for Strings in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Goldberg Variations, BWV 988: Var. 4 a 1 Clav. | Johann Sebastian Bach, Julian Rachlin, Nobuko Imai, Mischa Maisky | A♭ Major | 0 | 4B | 142 BPM | ||
Piano Sonata No. 1 in C Major, K. 279: II. Andante | Wolfgang Amadeus Mozart, Glenn Gould | F Major | 0 | 7B | 125 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM |
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