Frank Martin, Julian Bream's 'Quatre pièces brèves: Air' came out on 1967. With Quatre pièces brèves: Air being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 20th Century Guitar, so we believe that "Quatre pièces brèves: Air" is a single. In terms of popularity, Quatre pièces brèves: Air is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Quatre pièces brèves: Air by Frank Martin, Julian Bream is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Concerto for 7 Winds, Timpani, Percussion and Strings: II. Adagietto | Frank Martin, Kenneth Finn, Daniel Goldberg, Elizabeth Brown, Roland Kohloff, Michael Hinton, Mark Gould, Maya Gunji, Peter Gordon, Atsuko Sato, David Kossoff, Richard Kapp | A♭ Minor | 0 | 1A | 95 BPM | ||
Requiem Canticles: VIII. Libera me | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Warum ist das Licht gegeben | Johannes Brahms, Voces8 | D Minor | 1 | 7A | 76 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 125 BPM |
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