On May 7, 2009, the song "Concerto No. 9, Op. 7: Concerto a cinque No. 9, Op. 7: I. Allegro" was released by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. The duration of Concerto No. 9, Op. 7: Concerto a cinque No. 9, Op. 7: I. Allegro is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Concerto No. 9, Op. 7: Concerto a cinque No. 9, Op. 7: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. In terms of popularity, Concerto No. 9, Op. 7: Concerto a cinque No. 9, Op. 7: I. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto No. 9, Op. 7: Concerto a cinque No. 9, Op. 7: I. Allegro by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: II. Adagio | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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