"Songs Without Words: Nicht mehr zu dir zu gehen, Op. 32, No. 2" by Johannes Brahms, Mischa Maisky, Pavel Gililov was released on January 1, 1997. The duration of Songs Without Words: Nicht mehr zu dir zu gehen, Op. 32, No. 2 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Songs Without Words: Nicht mehr zu dir zu gehen, Op. 32, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 14 in Brahms: Songs without Words by Johannes Brahms, Mischa Maisky, Pavel Gililov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Songs Without Words: Nicht mehr zu dir zu gehen, Op. 32, No. 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs Without Words: Nicht mehr zu dir zu gehen, Op. 32, No. 2 by Johannes Brahms, Mischa Maisky, Pavel Gililov is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM |
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