Caspar Da Salo Quartet's 'String Quartet, " Death And The Maiden " , No. 14 in D-Minor, D.810: IV. Presto' came out on 1990. Since String Quartet, " Death And The Maiden " , No. 14 in D-Minor, D.810: IV. Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 15 - Franz Schubert" album is number 8 out of 8. The popularity of String Quartet, " Death And The Maiden " , No. 14 in D-Minor, D.810: IV. Presto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet, " Death And The Maiden " , No. 14 in D-Minor, D.810: IV. Presto by Caspar Da Salo Quartet to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza de las Silfides-Fausto | Orquesta Sinfónica De Radio Hamburgo | D Major | 1 | 10B | 118 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano) | Georges Bizet, Sarah Beth Hanson, Jan Grimes | E♭ Major | 0 | 5B | 71 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Camerata Romana, Eugen Duvier | E Major | 1 | 12B | 94 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino | Franz Schubert, Wiener Philharmoniker, Karl Münchinger | C Major | 2 | 8B | 122 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale. Vivace | Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | E♭ Major | 2 | 5B | 143 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Violin Concerto No.5 in A major, K. 219 : I. Allegro aperto | RR, Lithuanian Chamber Orchestra | A Major | 1 | 11B | 120 BPM | ||
Waltz No. 1 in G-Flat Major, Op. 70 | Frédéric Chopin, Peter Schmalfuss | C Minor | 2 | 5A | 99 BPM |
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