"Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano)" by Georges Bizet, Sarah Beth Hanson, Jan Grimes was released on July 5, 2001. The duration of Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Girl with the Flaxen Hair". In this album, this song's track order is #18. Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen, WD 31: Entr'acte to Act III (Arr. for Flute & Piano) by Georges Bizet, Sarah Beth Hanson, Jan Grimes having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude für Klavier in E Minor, Op. 28, Nr. 4 | Sylvia Capova | A Minor | 0 | 8A | 126 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Consolation No. 3, Lento placido, S.142 | Franz Liszt, Rhondda Gillespie | D♭ Major | 0 | 3B | 76 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | ||
Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM | ||
Albinoni : Oboe Concerto in D minor Op.9 No.2 : II Adagio | Tomaso Albinoni, Jacques Chambon, Karl Ristenpart, Saarland Radio Chamber Orchestra | A Major | 1 | 11B | 87 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM |
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