Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong made "Violin Sonata in A Major, K. 305: IIa. Thema. Andante grazioso" available on June 23, 2023. With Violin Sonata in A Major, K. 305: IIa. Thema. Andante grazioso being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong's "Mozart: Sonatas for Piano & Violin" album is number 13 out of 92. On top of that, Germany appears to be the country where this track was created. Violin Sonata in A Major, K. 305: IIa. Thema. Andante grazioso is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Violin Sonata in A Major, K. 305: IIa. Thema. Andante grazioso by Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Le nozze di Figaro, K.492: Voi che sapete - Arr. for Horn & String Quartet | Wolfgang Amadeus Mozart, Felix Klieser, Zemlinsky Quartet | E♭ Major | 0 | 5B | 76 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Requiem pour soli, choeur et orchestre en ré mineur K.626, Introitus: Kyrie eleison | Wolfgang Amadeus Mozart, Efrat Ben Nun, Elisabeth Graf, Ensemble Vocal de Lausanne, Jeffrey Francis, Marcus Fink, Michel Corboz, Orchestre de Chambre de Genève | D Minor | 2 | 7A | 100 BPM |
Section: 0.6101174354553223
End: 0.6133072376251221