"5 Flower Songs, Op. 47: No. 1. To Daffodils" by Benjamin Britten, Finzi Singers, Paul Spicer was released on January 1, 1999. The duration of 5 Flower Songs, Op. 47: No. 1. To Daffodils is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 5 Flower Songs, Op. 47: No. 1. To Daffodils's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Britten: The Choral Edition, Vol. 3 by Benjamin Britten, Finzi Singers, Paul Spicer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 5 Flower Songs, Op. 47: No. 1. To Daffodils is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Flower Songs, Op. 47: No. 1. To Daffodils by Benjamin Britten, Finzi Singers, Paul Spicer is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM | ||
5 Stücke im Volkston, Op. 102: 2. Langsam | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Tom Bowling | Charles Dibdin, Sir Peter Pears, Benjamin Britten | E♭ Major | 1 | 5B | 76 BPM | ||
The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM |
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