"Quatuor pour la fin du temps (Quartet for the End of Time): I. Liturgie de cristal (Crystal Liturgy)" by Olivier Messiaen, Amici Ensemble was released on June 6, 2001. The duration of Quatuor pour la fin du temps (Quartet for the End of Time): I. Liturgie de cristal (Crystal Liturgy) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Quatuor pour la fin du temps (Quartet for the End of Time): I. Liturgie de cristal (Crystal Liturgy)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Messiaen, Amici Ensemble's "Messiaen: Quartet for the End of Time / Theme and Variations" album is number 1 out of 9. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Quatuor pour la fin du temps (Quartet for the End of Time): I. Liturgie de cristal (Crystal Liturgy) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du temps (Quartet for the End of Time): I. Liturgie de cristal (Crystal Liturgy) by Olivier Messiaen, Amici Ensemble to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 10. La cathédrale engloutie | Claude Debussy, Daniel Barenboim | C Major | 0 | 8B | 132 BPM | ||
Pie Jesu | Lili Boulanger, Olivier Charlier, Magali Demesse, Aude Perin Dureau, Eric Lebrun, Emile Naoumoff, Francis Pierre, Doris Reinhardt, Isabelle Sabrie, Raphelle Semezis | C Major | 2 | 8B | 82 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past) | Iannis Xenakis, Stephanos Thomopoulos | D Major | 3 | 10B | 142 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM |
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