John Blow, Ruth Dyson made "Blow: Suite No. 5 in D Minor: IV. Air" available on April 4, 2011. With Blow: Suite No. 5 in D Minor: IV. Air being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 27 in English Harpsichord Music : Blow, Croft, Chilcot and Purcell by Ruth Dyson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Blow: Suite No. 5 in D Minor: IV. Air is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Blow: Suite No. 5 in D Minor: IV. Air by John Blow, Ruth Dyson is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Venus and Adonis Act One - Chorus: 'Come follow' | John Blow, Sophie Danemen, Elin Manahan Thomas, Roderick Williams, Elizabeth Kenny, Theatre of the Ayre | E♭ Minor | 3 | 2A | 87 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Venus and Adonis - Cupid: 'Behold my arrows and my bow' | John Blow, Sophie Danemen, Elin Manahan Thomas, Roderick Williams, Elizabeth Kenny, Theatre of the Ayre | D♭ Major | 0 | 3B | 164 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Parcham: Solo for Recorder and Continuo | Andrew Parcham, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: III. Courante (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Membra Jesu nostri, BuxWV 75: IVd. Ad latus: Hora mortis meus flatus | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Qual mormorio giocondo: Recitative: Cosi dell'alma mia | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM |
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