"Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470" by Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto was released on April 26, 2024. With Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 34 out of 42. On top of that, Sweden appears to be the country where this track was created. Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 by Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 42, O Ewigkeit, du Donnerwort, BWV 513 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM |
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