"La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta" by Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra was released on November 2, 2009. The duration of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 12 in COLORaturaS by Diana Damrau, Dan Ettinger, Munich Radio Orchestra. The popularity of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta by Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san! | Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Leo Nucci, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 97 BPM | ||
Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Glielo dirai? (Kate/Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 2 | 12B | 91 BPM |
Section: 0.7258496284484863
End: 0.7293374538421631