"The Blood Jet: No. 1, Morning Song" by Lori Laitman, Sylvia Plath, Sari Gruber was released on December 13, 2019. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lori Laitman, Various Artists's "Living in the Body" album is number 3 out of 51. The Blood Jet: No. 1, Morning Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Blood Jet: No. 1, Morning Song by Lori Laitman, Sylvia Plath, Sari Gruber to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Vedem: Part III: Vedem: We were Alive, Approximately (Chorus) | Lori Laitman, Ross Hauck, Angela Niederloh, Northwest Boychoir, Music of Remembrance, Joseph Crnko | B♭ Minor | 2 | 3A | 89 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Divertissement pour une fete de nuit: VI. Valse dans les jardins | Reynaldo Hahn, Ensemble Initium, Orchestre des Pays de Savoie, Nicolas Chalvin | D♭ Major | 1 | 3B | 129 BPM | ||
Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) | Johann Sebastian Bach, Alice Neary, Gretel Dowdeswell | F♯ Major | 2 | 2B | 92 BPM | ||
Otello, Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 83 BPM | ||
Vedem: Part III: Vedem: Live Leaves about to Fall (Chorus, A Man) | Lori Laitman, Ross Hauck, Angela Niederloh, Northwest Boychoir, Music of Remembrance, Joseph Crnko | B♭ Minor | 2 | 3A | 88 BPM |
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