Johann Sebastian Bach, Alice Neary, Gretel Dowdeswell made "Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano)" available on August 5, 2022. With Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Tovey: Chamber Music, Vol. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) by Johann Sebastian Bach, Alice Neary, Gretel Dowdeswell having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque in F Major, Op. 26 | William Henry Squire, Oliver Gledhill, Tadashi Imai | F Major | 2 | 7B | 157 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: II. Intermezzo. Adagio | Ernst von Dohnányi, Nash Ensemble | A♭ Major | 0 | 4B | 165 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Lied, Op. 19 (version for cello and piano) | Vincent d'Indy, Nicolas Altstaedt, José Gallardo | E♭ Major | 0 | 5B | 81 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM |
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