"Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum" by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien was released on 1982. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Nikolaus Harnoncourt, Concentus Musicus Wien's "Mozart : Requiem & Mass No.16, 'Coronation' (Apex)" album is number 4 out of 20. On top of that, Germany appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messias, HV 56: XXVIII. Halleluja | George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester | D Major | 4 | 10B | 112 BPM | ||
Messiah, HWV 56: Part 2: Thy rebuke hath broken His heart (Accompagnato) | Nikolaus Harnoncourt | D Major | 0 | 10B | 103 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) | フォルツハイム・モテット合唱団, 南西ドイツ室内管弦楽団, ロルフ・シュヴァイツァー | F♯ Minor | 1 | 11A | 166 BPM | ||
Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“ | Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Max van Egmond | F Major | 0 | 7B | 146 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Die Zauberflöte, K.620, Act II: Wie? Wie? Wie? Ihr an diesem Schreckensort? (Damen, Tamino, Papageno, Chor) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | E Minor | 1 | 9A | 85 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Haydn: Symphony No. 98 in B-Flat Major, Hob. I:98: III. Menuetto - Trio | Joseph Haydn, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | G Minor | 1 | 6A | 147 BPM | ||
セレナード 第13番 ト長調「アイネ・クライネ・ナハトムジーク」 K.525/第4楽章:ロンド:アレグロ(『メリーに首ったけ』より) | スロヴァキア・フィルハーモニー管弦楽団, リボル・ペシェック | A Major | 1 | 11B | 136 BPM |
Section: 0.6832613945007324
End: 0.6879618167877197