"Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“" by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Max van Egmond was released on 1971. With Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“ being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 69 out of 120 in Bach, JS : Sacred Cantatas Vol.1 : BWV1-14, 16-19 by Johann Sebastian Bach, Nikolaus Harnoncourt, Gustav Leonhardt, Concentus Musicus Wien, Leonhardt-Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“ by Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Max van Egmond is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
English Suite No. 2 in A Minor, BWV 807: IV. Sarabande | Johann Sebastian Bach, KaJeng Wong | G Major | 10 | 9B | 98 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM |
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