George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester's 'Messias, HV 56: XXVIII. Halleluja' came out on January 1, 2009. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester's "Handel: Messias" album is number 11 out of 34. On top of that, United States appears to be the country where this track was created. In terms of popularity, Messias, HV 56: XXVIII. Halleluja is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messias, HV 56: XXVIII. Halleluja by George Frideric Handel, Alexandr Dmitrijew, Lettisches Sinfonieorchester to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Motet in D Major for Choir and Orchestra, K. 618: Ave verum corpus | Latvian National Symphony Orchestra | D Major | 1 | 10B | 114 BPM | ||
Music for the Royal Fireworks (arr. piano) | Music Lab Collective, George Frideric Handel | D Major | 0 | 10B | 122 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 1: Letter Scene. "Puskai pogibnu ya, no prezde" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 120 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |
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