Gustav Mahler, Leonard Bernstein, New York Philharmonic's 'Symphony No. 1 in D Major "Titan": IIb. Trio. Recht gemächlich' came out on 1967. The duration of Symphony No. 1 in D Major "Titan": IIb. Trio. Recht gemächlich is about 3 minutes long, at 3:13. Based on our data, "Symphony No. 1 in D Major "Titan": IIb. Trio. Recht gemächlich" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Benjamin Britten, André Previn, London Symphony Orchestra, Jaco Pastorius, Herbie Hancock, Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 1 in D Major "Titan" & Adagio from Symphony No. 10 in F-Sharp Minor" album is number 6 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Symphony No. 1 in D Major "Titan": IIb. Trio. Recht gemächlich's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": IIb. Trio. Recht gemächlich by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Quartettsatz in C Minor, Op. posth. D.703: Allegro assai | Franz Schubert, Jerusalem Quartet | A♭ Major | 1 | 4B | 111 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live | Gustav Mahler, Margaret Price, Kenneth Riegel, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Vienna State Opera Chorus, Wiener Singverein | A♭ Major | 4 | 4B | 78 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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