"Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live" by Gustav Mahler, Margaret Price, Kenneth Riegel, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Vienna State Opera Chorus, Wiener Singverein was released on January 1, 1991. The duration of Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live is about 3 minutes long, at 3:16. Based on our data, "Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Mahler, Leonard Bernstein, Wiener Philharmoniker's "Mahler: Symphonies Nos. 8 In E Flat - "Symphony Of A Thousand" & 10 In F Sharp (Unfinished) - Adagio [Live]" album is number 7 out of 29. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 1: "Imple superna gratia" - Live by Gustav Mahler, Margaret Price, Kenneth Riegel, Judith Blegen, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Vienna State Opera Chorus, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato | Gustav Mahler, David Zinman | A♭ Major | 0 | 4B | 138 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM |
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