"Chansons gaillardes: Chanson à boire" by Anonyme 17ème Siècle, Francis Poulenc, Noël Lee, Bernard Kruysen was released on September 1, 2004. The duration of Chansons gaillardes: Chanson à boire is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Chansons gaillardes: Chanson à boire's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Poulenc : Mélodies - Catalogue classique 2004". In this album, this song's track order is #9. Chansons gaillardes: Chanson à boire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chansons gaillardes: Chanson à boire by Anonyme 17ème Siècle, Francis Poulenc, Noël Lee, Bernard Kruysen having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Barber: 4 Songs, Op. 13: III. "Sure on this shining night" | Samuel Barber, Nathan Gunn, Kevin Murphy | E♭ Minor | 0 | 2A | 96 BPM | ||
Sechs Lieder, Op. 48: Lauf der Welt, Op. 48/3 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 99 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | A Major | 0 | 11B | 72 BPM | ||
Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Říkadla: VII. Franta the knacker's son | Leoš Janáček, Radio Blazers Ensemble, Daniel Reuss, Cappella Amsterdam | A♭ Major | 1 | 4B | 137 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM |
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