- BPM
- 104
- Key
- B Minor
- Camelot
- 10A
Bachianas brasileiras No. 5: II. Danza: Martelo - Arleen Auger Information
- Acousticness
- 97%
- Danceability
- 24%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -27.67 dB
Summary
"Bachianas brasileiras No. 5: II. Danza: Martelo" by Arleen Auger was released on January 1, 2000. Bachianas brasileiras No. 5: II. Danza: Martelo is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 13 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, Bachianas brasileiras No. 5: II. Danza: Martelo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bachianas brasileiras No. 5: II. Danza: Martelo BPM
The tempo marking of Bachianas brasileiras No. 5: II. Danza: Martelo by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bachianas brasileiras No. 5: II. Danza: Martelo Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | |
 | Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | |
 | In jener letzten der Nächte | Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer | B Minor | 2 | 10A | 145 BPM | |
 | Schubert: Heidenröslein, Op. 3 No. 3, D. 257 | Franz Schubert, Arleen Auger, Lambert Orkis | G Major | 0 | 9B | 79 BPM | |
 | Requiem in C Minor: Sanctus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | |
 | Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | |
 | Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | |
 | Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | |
 | Orlando, HWV 31 / Act 1: Consolati o bella | George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood | C Minor | 0 | 5A | 77 BPM | |
 | Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8389873504638672
End: 0.8439157009124756