Orlando, HWV 31 / Act 1: Consolati o bella - George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 95%
Danceability: 28%
Energy: 3%
Instrumentalness: 0%
Liveness: 13%
Loudness: 55%
Speechiness: 5%
Valence: 4%
Popularity: 3%
Loudness: -26.721 dB

Summary

"Orlando, HWV 31 / Act 1: Consolati o bella" by George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1991. Orlando, HWV 31 / Act 1: Consolati o bella is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, James Bowman, David Thomas, Academy of Ancient Music, Christopher Hogwood's "Handel: Orlando" album is number 23 out of 60. On top of that, United Kingdom appears to be the country where this track was created. Orlando, HWV 31 / Act 1: Consolati o bella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orlando, HWV 31 / Act 1: Consolati o bella BPM

We consider the tempo marking of Orlando, HWV 31 / Act 1: Consolati o bella by George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orlando, HWV 31 / Act 1: Consolati o bella Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dixit Dominus, HWV 232: Dixit Dominus	George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	F♯ Minor	2	11A	93 BPM
Acis and Galatea, HWV 49a, Act II: Wretched Lovers! (Chorus)	George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Jeremy Budd, Grace Davidson, Stuart Young, Mark Dobell, Simon Berridge	A Major	2	11B	129 BPM
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Gavotte - Arr. for Cello and Piano	Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov	D Minor	0	7A	85 BPM
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Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero	Felix Mendelssohn, Leif Ove Andsnes	F♯ Minor	1	11A	182 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928	Janos Sebestyen, Johann Sebastian Bach	F Major	2	7B	140 BPM

ISRC: GBF078942123
Label: L-M Records/RCA Records

Section: 0.7871370315551758

End: 0.791766881942749