Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro)
Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit
Saint-Saëns: Violin Concerto No. 3 / Lalo: Symphonie espagnole
8:06 November 1, 1989
BPM
166
Key
A Major
Camelot
11B

Embed

Share Link

Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) - Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit Information

Acousticness
93%
Danceability
37%
Energy
14%
Instrumentalness
41%
Liveness
5%
Loudness
63%
Speechiness
5%
Valence
51%
Popularity
Loudness
-22.484 dB

Summary

Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit made "Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro)" available on November 1, 1989. Since Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Saint-Saëns: Violin Concerto No. 3 / Lalo: Symphonie espagnole". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) BPM

With Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) by Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Symphonie espagnole in D Minor, Op. 21: 5. Rondo (Allegro) Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Liebesleid - Arr. Mischa Maisky by Fritz Kreisler, Mischa Maisky, Pavel GililovLiebesleid - Arr. Mischa MaiskyFritz Kreisler, Mischa Maisky, Pavel GililovA Minor08A83 BPM
Haydn, Michael / Arr Stoll : Polonaise in C major by Michael Haydn, Jörg BaumannHaydn, Michael / Arr Stoll : Polonaise in C majorMichael Haydn, Jörg BaumannC Major08B107 BPM
Douce rêverie in G Minor by Tekla Bądarzewska-Baranowska, Hiroko IshimotoDouce rêverie in G MinorTekla Bądarzewska-Baranowska, Hiroko IshimotoG Minor16A131 BPM
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) by Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth SinfoniettaBoccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher)Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth SinfoniettaB♭ Major26B141 BPM
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimSymphonie Espagnole In D Minor, Op.21: 1. Allegro non troppoÉdouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimD Minor17A75 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze by Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraKorngold: Violin Concerto in D Major, Op. 35: II. RomanzeErich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraC Major08B97 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto by Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony OrchestraViolin Concerto in D Major, Op. 61: II. LarghettoLudwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony OrchestraG Major09B88 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
ISRC
GBF078811115
Label
L-M Records/RCA Records

Section: 0.7879042625427246

End: 0.7915031909942627