"Sonata No. 11 in D: II. Grave" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. With Sonata No. 11 in D: II. Grave being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 40 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Based on our statistics, Sonata No. 11 in D: II. Grave's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 11 in D: II. Grave by Giovanni Battista Bassani, Ensemble StilModerno is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Charitatis, ZWV 10: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 3 | 4B | 101 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Sonata No. 3 in G: V. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | G Major | 3 | 9B | 116 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 5, Arie "Der Gott, dem alle Himmelskreise" (Tochter Zion) | Georg Philipp Telemann, Brigitte Christensen, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 69 BPM | ||
Sonata No. 7 in A: V. Allegro, Allegro | Giovanni Battista Bassani, Ensemble StilModerno | B Minor | 4 | 10A | 118 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM |
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