"Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust)" by Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg was released on November 22, 2019. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust) is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 1 out of 45 in Berlioz: La Damnation de Faust by Hector Berlioz, John Nelson, Orchestre Philharmonique De Strasbourg. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust) by Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM | ||
Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 9-14: Vite Au Travail, Sans Plus Attendre | Hector Berlioz, Gregory Kunde, Laura Claycomb, Sir Colin Davis, London Symphony Orchestra, Peter Coleman-Wright, Isabelle Cals | C Major | 2 | 8B | 63 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 131 BPM | ||
Berlioz: Te Deum, Op. 22, H 118: IV. Christe, Rex gloriae - Hymne | Hector Berlioz, John Nelson, Marie-Claire Alain, Orchestre de Paris | B♭ Major | 1 | 6B | 92 BPM |
Section: 0.7915325164794922
End: 0.7946879863739014