"Mass No. 11 in D Major / Gloria: IIa. Gloria in excelsis" by Johann David Heinichen, Christine Wolff, Patrick Van Goethem, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann was released on April 1, 2015. With Mass No. 11 in D Major / Gloria: IIa. Gloria in excelsis being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann David Heinichen, Christine Wolff, Monika Frimmer, Patrick Van Goethem, Kai Wessel, Uwe Stickert, Hermann Oswald, Jochen Kupfer, Andreas Scheibner, Egbert Junghanns, Dresdner Kammerchor, Hans-Christoph Rademann, Dresdner Barockorchester's "Johann David Heinichen: Messen" album is number 2 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mass No. 11 in D Major / Gloria: IIa. Gloria in excelsis is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mass No. 11 in D Major / Gloria: IIa. Gloria in excelsis by Johann David Heinichen, Christine Wolff, Patrick Van Goethem, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Concerto in G Major, S. 213: 4. Entrée | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 97 BPM |
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