"Songs of the Fleet, Op. 117: III. The Middle-Watch" by Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales was released on May 1, 2006. Since Songs of the Fleet, Op. 117: III. The Middle-Watch is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Stanford: Songs of the Fleet, Songs of the Sea & A Ballad of the Fleet". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Songs of the Fleet, Op. 117: III. The Middle-Watch is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of the Fleet, Op. 117: III. The Middle-Watch by Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
String Quartet No. 2 in A Minor, Op. 45: I. Molto moderato – Più moto – Tempo I – Più moto – Tempo I | Charles Villiers Stanford, RTÉ Vanbrugh Quartet | A Minor | 0 | 8A | 68 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Beauty for Ashes | Bob Chilcott, The Elysian Singers, Sam Laughton, Mark Brafield | B♭ Major | 1 | 6B | 61 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
String Quartet No. 2 in A Minor, Op. 45: II. Prestissimo | Charles Villiers Stanford, RTÉ Vanbrugh Quartet | A Minor | 0 | 8A | 68 BPM | ||
Sieben Lieder, Op. 62: No. 3, Waldesnacht | Johannes Brahms, Robert Shaw, Robert Shaw Festival Singers | D♭ Major | 2 | 3B | 67 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM |
Section: 0.8465027809143066
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