Ben Johnston, Robert Miller's 'Sonata for Microtonal Piano: Movement III' came out on January 1, 1995. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Sound Forms For Piano". In this album, this song's track order is #11. Sonata for Microtonal Piano: Movement III is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata for Microtonal Piano: Movement III by Ben Johnston, Robert Miller having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
The Rite of Spring (1913 Version): Adoration of the Earth, Part I: Introduction | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 117 BPM | ||
Eleven Instrusions VII: The Street | Harry Partch, Bill Snead, Ben Johnston, Donald Pippin, Betty Johnston | E♭ Major | 1 | 5B | 86 BPM | ||
Eleven Instrusions II: Study on Archytas' Enharmonic | Harry Partch, Ben Johnston, Bill Snead, Donald Pippin, Betty Johnston | C Minor | 0 | 5A | 184 BPM | ||
Enescu: Violin Sonata No. 3 in A Minor, Op. 25 "Dans le caractère populaire roumain": I. Moderato malinconico | George Enescu, Yehudi Menuhin, Hephzibah Menuhin | A Major | 1 | 11B | 96 BPM | ||
New York Counterpoint: II. Slow | Steve Reich, Evan Ziporyn | F♯ Minor | 1 | 11A | 90 BPM |
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