Steve Reich, Evan Ziporyn's 'New York Counterpoint: II. Slow' came out on 1997. The duration of New York Counterpoint: II. Slow is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. New York Counterpoint: II. Slow's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "New York Counterpoint, Eight Lines, Four Organs". In this album, this song's track order is #2. In terms of popularity, New York Counterpoint: II. Slow is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With New York Counterpoint: II. Slow by Steve Reich, Evan Ziporyn having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for 18 Musicians: Section VII | Steve Reich | F♯ Minor | 3 | 11A | 102 BPM | ||
Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | ||
Phrygian Gates, Pt. 2 (A System of Weights and Measures) | John Adams | D Major | 0 | 10B | 55 BPM | ||
Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 5 | 8A | 99 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
Flow | Laurie Anderson | C Major | 0 | 8B | 87 BPM | ||
Rain Tree Sketch II | Toru Takemitsu, Hélène Grimaud | F♯ Minor | 0 | 11A | 120 BPM | ||
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM |
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