Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's ' "Fantaisie, Op. 102" was released on its scheduled release date, January 1, 2000. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Italy. Based on our statistics, Fantaisie, Op. 102's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Fantaisie, Op. 102 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto in E-Flat Major, KV 417: II. Andante | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Howard Griffiths, Alexandre Zanetta | D Major | 2 | 10B | 116 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Abbey Road concerto for Violin and Orchestra: VI. Intermezzo 3 - Octopus’s Garden | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | F Major | 1 | 7B | 106 BPM | ||
Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
Deux Morceaux De Concours - I - Andandtino | Paula Robison | D Major | 1 | 10B | 154 BPM | ||
Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Andante - | Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 1 | 8A | 71 BPM | ||
Trio élégiaque No. 2 in D Minor, Op. 9: III. Allegro risoluto-Moderato | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Minor | 0 | 7A | 35 BPM | ||
タイスの瞑想曲 | Jules Massenet, Ayako Takagi | E♭ Major | 1 | 5B | 179 BPM |