Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's ' "Abbey Road concerto for Violin and Orchestra: VI. Intermezzo 3 - Octopus’s Garden" was released on its scheduled release date, June 7, 2024. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Abbey Road concerto for Violin and Orchestra: VI. Intermezzo 3 - Octopus’s Garden's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto" album is number 6 out of 20. On top of that, France appears to be the country where this track was created. In terms of popularity, Abbey Road concerto for Violin and Orchestra: VI. Intermezzo 3 - Octopus’s Garden is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: VI. Intermezzo 3 - Octopus’s Garden by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Studies for Solo Violin: No. 1, Sostenuto | Niccolò Paganini, Luca Fanfoni | G Major | 1 | 9B | 79 BPM | ||
Horn Concerto: I. With Energy | Bruce Broughton, William VerMeulen, London Symphony Orchestra, Jonathan Bloxham | C Minor | 3 | 5A | 91 BPM | ||
Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM | ||
Abbey Road concerto for Violin and Orchestra: VII. Intermezzo 4 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | F Major | 1 | 7B | 106 BPM | ||
Antiche danze et arie per liuto, Suite No. 2, P. 138: I. Laura soave | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | D Major | 1 | 10B | 173 BPM | ||
Pictures at an Exhibition: The Market-place at Limoges | The Royal Wind Music | E Major | 1 | 12B | 115 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM |