"Intermezzo de Atzimba (1900)" by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas was released on July 30, 2010. With this song being about 5 minutes long, at 5:02, "Intermezzo de Atzimba (1900)" by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alondra de la Parra's "My Mexican Soul" album is number 3 out of 15. On top of that, United States appears to be the country where this track was created. Intermezzo de Atzimba (1900) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermezzo de Atzimba (1900) by Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aires Gitanos | Pablo de Sarasate, Ilmar López Gavilán | D♭ Major | 3 | 3B | 101 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM | ||
Serenade No. 9 in D Major, K. 320 "Posthorn": VI. Minuetto | Wolfgang Amadeus Mozart, Horst Eichler, Berliner Philharmoniker, Karl Böhm | D Major | 1 | 10B | 122 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Huapango | José Pablo Moncayo, Cuarteto Manuel M. Ponce | A♭ Major | 1 | 4B | 96 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Gil Shaham, Alejandro Posada, Orquesta Sinfónica de Castilla y León | D Major | 3 | 10B | 169 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
Sensemayá (1938) | Silvestre Revueltas, Alondra de la Parra, Philharmonic Orchestra of the Americas | F♯ Major | 5 | 2B | 180 BPM |
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