"Piano Concerto No. 21 in C Major, K. 467: II. Andante" by Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón was released on April 21, 2017. Since Piano Concerto No. 21 in C Major, K. 467: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón's "Mozart in Havana" album is number 2 out of 6. The popularity of Piano Concerto No. 21 in C Major, K. 467: II. Andante is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467: II. Andante by Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Serenade In G Major: Eine Kleine Nachtmusik, K. 525: II. Romance: Andante | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | B Major | 0 | 1B | 36 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM |
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