Nabucco / Act 3: Va', pensiero (arr. piano)
Giuseppe Verdi, Music Lab Collective
Va', pensiero (arr. piano)
3:27 July 5, 2019
BPM
81
Key
A Major
Camelot
11B

Embed

Share Link

Nabucco / Act 3: Va', pensiero (arr. piano) - Giuseppe Verdi, Music Lab Collective Information

Acousticness
99%
Danceability
50%
Energy
7%
Instrumentalness
96%
Liveness
9%
Loudness
69%
Speechiness
5%
Valence
22%
Popularity
Loudness
-18.749 dB

Summary

Giuseppe Verdi, Music Lab Collective's 'Nabucco / Act 3: Va', pensiero (arr. piano)' came out on July 5, 2019. The duration of Nabucco / Act 3: Va', pensiero (arr. piano) is about 3 minutes long, at 3:27. Based on our data, "Nabucco / Act 3: Va', pensiero (arr. piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Va', pensiero (arr. piano) only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. Nabucco / Act 3: Va', pensiero (arr. piano) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Nabucco / Act 3: Va', pensiero (arr. piano) BPM

Since Nabucco / Act 3: Va', pensiero (arr. piano) by Giuseppe Verdi, Music Lab Collective has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco / Act 3: Va', pensiero (arr. piano) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Nabucco / Act 3: Va', pensiero (arr. piano) Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lohengrin, Act III: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin, Act III: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszG Major29B94 BPM
Nabucco / Act 2: Deh, fratelli, perdonate by Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto GardelliNabucco / Act 2: Deh, fratelli, perdonateGiuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto GardelliE Major212B126 BPM
Macbeth / Act 3: Coro e Ballabile: Macbeth / Act 3: Coro e Ballabile: "Ondine e Silfidi"Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiG Major09B109 BPM
Aida / Act 2: Aida / Act 2: "Gloria all'Egitto"Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di MilanoE♭ Major15B93 BPM
Die Walkure, Act III: Ride of the Valkyries by Richard Wagner, Budapest Symphony Orchestra, György LehelDie Walkure, Act III: Ride of the ValkyriesRichard Wagner, Budapest Symphony Orchestra, György LehelG Major29B90 BPM
Simon Boccanegra / Prologue: Che dicesti? (Paolo, Pietro, Simone, Coro) by Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiSimon Boccanegra / Prologue: Che dicesti? (Paolo, Pietro, Simone, Coro)Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiD Major110B93 BPM
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: IV. Aragonaise, Act 4London Festival Orchestra Alfred ScholzD Minor17A123 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs)Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireD Major110B90 BPM
L'elisir d'amore: Overture (Preludio) by Gaetano Donizetti, Metropolitan Opera Orchestra, James LevineL'elisir d'amore: Overture (Preludio)Gaetano Donizetti, Metropolitan Opera Orchestra, James LevineD Major010B139 BPM
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: V. Seguedille, Act 1London Festival Orchestra Alfred ScholzD Major010B92 BPM
ISRC
GBUM71903048
Label
L-M Records/RCA Records

Section: 0.8971874713897705

End: 0.9012084007263184