Ludwig van Beethoven, Chicago Symphony Orchestra, Carlo Maria Giulini's 'Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio' had a release date set for July 1, 1971. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 4 in Beethoven: Symphony No. 7, Op. 92 by Ludwig van Beethoven, Chicago Symphony Orchestra, Carlo Maria Giulini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio by Ludwig van Beethoven, Chicago Symphony Orchestra, Carlo Maria Giulini is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. Allegretto | Ludwig van Beethoven, Jenő Jandó | G Minor | 1 | 6A | 123 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM |