Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul made "Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II" available on January 15, 2001. The duration of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Bach: Brandenburg Concerto No. 5 - Orchestral Suite No. 2 - Trio Sonata - Partita. by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten. In terms of popularity, Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II by Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Sinfonia No. 15 in B Minor, BWV 801 | Johann Sebastian Bach, Glenn Gould | D♭ Minor | 4 | 12A | 82 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Victor Aviat, Lucas Macias Navarro, Guido Gualandi, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | F Major | 3 | 7B | 90 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: III. Finale Allegro molto | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 3 | 9A | 84 BPM |
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