Robert Schumann, Víkingur Ólafsson's 'Träumerei (from Kinderszenen, Op. 15) - Upright Piano' came out on September 23, 2022. The duration of Träumerei (from Kinderszenen, Op. 15) - Upright Piano is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Träumerei (from Kinderszenen, Op. 15) - Upright Piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 2 in the song's album "Schumann: Träumerei (from Kinderszenen, Op. 15)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Träumerei (from Kinderszenen, Op. 15) - Upright Piano is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Träumerei (from Kinderszenen, Op. 15) - Upright Piano by Robert Schumann, Víkingur Ólafsson having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Mark | Joep Beving | A Major | 0 | 11B | 139 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Violin Concerto No. 2 in E, BWV 1042: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | B♭ Major | 1 | 6B | 99 BPM | ||
Pavane pour un infante défunte, M. 19 | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | G Major | 0 | 9B | 86 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Víkingur Ólafsson | C Major | 2 | 8B | 107 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Bambaló | Gabríel Ólafs, Steiney Sigurðardóttir | B Minor | 0 | 10A | 69 BPM |
Section: 0.7089154720306396
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