"Fünf Lieder nach Gedichten von Richard Dehmel: II. Am Ufer" by Anton Webern, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. With Fünf Lieder nach Gedichten von Richard Dehmel: II. Am Ufer being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #6 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Fünf Lieder nach Gedichten von Richard Dehmel: II. Am Ufer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder nach Gedichten von Richard Dehmel: II. Am Ufer by Anton Webern, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fünf Lieder nach Gedichten von Richard Dehmel: II. Am Ufer being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
String Quartet No. 1: III. Allegro giocoso alla slovacca | Erwin Schulhoff, Aviv Quartet | G Major | 2 | 9B | 115 BPM | ||
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
4 Etudes de rythme: Ile de feu I (Isle of Fire I) | Olivier Messiaen, Håkon Austbø | E Major | 2 | 12B | 120 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM |
Section: 0.6297879219055176
End: 0.6338317394256592